![]() The striking beauty of Fitchs orchid illustrations contributed to orchid mania that swept through Victorian Britain. They demonstrate unequivocally that Fitch added few extra touches apart from some finer shading. John Nugent Fitch (1840-1927) was a British botanical illustrator and lithographer, best known for his contribution of 528 plates to The Orchid Album, but he also contributed to Curtiss Botanical Magazine from 1878. These drawings, signed by Miss Smith, differ little from the lithographs apart from being mirror images, as is characteristic of lithography. He was a talented artist whose work included the illustrations (in colour) for the eleven-volume The Orchid Album by R. Fortunately, it can be answered, for the original pencil drawings Matilda Smith prepared for the Illustrations are at the Auckland Institute and Museum. The illustrations in Cheeseman's book are clearly skilfully done, but the extent to which their excellence is due to "retouching" by John Fitch when he made the lithographs is an interesting question. He added, "she owed much to John Fitch, who made some attractive lithographs from her rather hesitant sketches". He commented that she remained to the end a rather fumbling draughtsman, more remembered for her great pains and untiring efforts than for her skill. Wilfrid Blunt, in probably the most authoritative book on botanical art, The Art of Botanical Illustration, is critical of Matilda Smith's skills. In appreciation of his work, he received a Civil List pension a few years before he died. His artistic career was terminated in 1920 by an illness that resulted in the loss of the use of his fingers. Great Flower Books, p.80 Nissen BBI 2107 Stafleu & Cowan TL2 6282. His original drawings for The Orchid Album are in the Natural History Museum, South Kensington. He was elected a fellow of the Linnean Society in 1877. The illustrator, John Nugent Fitch (1840-1927), was the nephew of the equally-prolific botanical artist Walter Hood Fitsch. Williams (1882-97), and illustrations in Horwood's A New British Flora (1919). He was a talented artist whose work included the illustrations (in colour) for the eleven-volume The Orchid Album by R. He lithographed nearly 2,500 drawings for Curtis's Botanical Magazine, in a style difficult to distinguish from that of his uncle, from whom he had received most of his instruction in drawing. Fitch, who prepared the lithographs for the Illustrations, has been described as second only to his uncle, W. ![]() ![]() ![]() It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient.J. Orchid Album, Comprising Colored Figures And Decriptions Of Newrare And Beautiful Orchidaceous Plants: Six Plates oil painting by John Nugent Fitch. This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. PDM Creative Commons Public Domain Mark 1.0 false false This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. Copyright Office) before January 1, 1928. This work is in the public domain in the United States because it was published (or registered with the U.S. This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. The original itself is in the public domain for the following reason: This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
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